7th Circuit affirms bathroom access for trans student

From Washington Blade:  http://www.washingtonblade.com/2017/05/30/7th-circuit-affirms-bathroom-access-for-trans-student/

by Chris Johnson
May 30, 2017

In another legal decision affirming federal law ensures bathroom access for transgender students, a federal appeals court has determined a transgender student in Wisconsin must be allowed access to restrooms at his high school consistent with his gender identity.

In a 35-page decision, a three-judge panel the U.S. Seventh Circuit Court of Appeals ruled unanimously in favor of Ashton Whitaker, a 17-year-old who sued Kenosha Unified School District for requiring him to use a restroom separate from one used by all other students.

Writing for the court, U.S. Circuit Judge Ann Claire Williams, an Obama appointee, determined Title IX of the Education Amendment of 1972, which bars discrimination in schools on the basis of sex, applies to Ash’s situation.

“A policy that requires an individual to use a bathroom that does not conform with his or her gender identity punishes that individual for his or her gender non‐conformance, which in turn violates Title IX,” Williams writes.

Joining Williams in the decision was U.S. Circuit Judge Ilana Rovner, an appointee of George W. Bush, and U.S. Circuit Judge Diane Wood, a Clinton appointee.

The decision upholds a preliminary injunction U.S. District Judge Pamela Pepper, an Obama appointee, issued in September requiring Kenosha Unified School District to change its policy.

Ash said in a statement he’s “thrilled” the Seventh Circuit determined that Pepper’s decision should stand as the litigation and his studies continue.

“After facing daily humiliation at school last year from being threatened with discipline and being constantly monitored by school staff just to use the bathroom, the district court’s injunction in September allowed me to be a typical senior in high school and to focus on my classes, after-school activities, applying to college, and building lasting friendships,” Ash said.

Continue reading at:  http://www.washingtonblade.com/2017/05/30/7th-circuit-affirms-bathroom-access-for-trans-student/

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Why Wonder Woman is a masterpiece of subversive feminism

From The Guardian UK:  https://www.theguardian.com/lifeandstyle/2017/jun/05/why-wonder-woman-is-a-masterpiece-of-subversive-feminism

Yes, the new movie sees its titular heroine sort of naked a lot of the time. But the film-makers have still worked to turn sexist Hollywood conventions on their head


Monday 5 June 2017

The chances are you will read a feminist takedown of Wonder Woman before you see the film. And you’ll probably agree with it. Wonder Woman is a half-god, half-mortal super-creature; she is without peer even in superhero leagues. And yet, when she arrives in London to put a stop to the war to end all wars, she instinctively obeys a handsome meathead who has no skills apart from moderate decisiveness and pretty eyes. This is a patriarchal figment. Then, naturally, you begin to wonder why does she have to fight in knickers that look like a fancy letterbox made of leather? Does her appearance and its effect on the men around her really have to play such a big part in all her fight scenes? Even my son lodged a feminist critique: if she were half god, he said, she would have recognised the god Ares immediately – unless he were a better god than her (being a male god).

I agree with all of that, but I still loved it. I didn’t love it as a guilty pleasure. I loved it with my whole heart. Wonder Woman, or Diana Prince, as her civilian associates would know her, first appeared as a character in DC Comics in 1941, her creator supposedly inspired by the feminism of the time, and specifically the contraception pioneer Margaret Sanger. Being able to stop people getting pregnant would be a cool superpower, but, in fact, her skills were: bullet-pinging with bracelets; lassoing; basic psychology; great strength and athleticism; and being half-god (the result of unholy congress between Zeus and Hyppolyta). The 1970s TV version lost a lot of the poetry of that, and was just all-American cheesecake. Gal Gadot’s Wonder Woman made her cinematic debut last year in Batman v Superman, and this first live-action incarnation makes good on the character’s original premise, the classical-warrior element amped up and textured. Her might makes sense.

Yes, she is sort of naked a lot of the time, but this isn’t objectification so much as a cultural reset: having thighs, actual thighs you can kick things with, not thighs that look like arms, is a feminist act. The whole Diana myth, women safeguarding the world from male violence not with nurture but with better violence, is a feminist act. Casting Robin Wright as Wonder Woman’s aunt, re-imagining the battle-axe as a battler, with an axe, is a feminist act. A female German chemist trying to destroy humans (in the shape of Dr Poison, a proto-Mengele before Nazism existed) might be the most feminist act of all.

Women are repeatedly erased from the history of classical music, art and medicine. It takes a radical mind to pick up that being erased from the history of evil is not great either. Wonder Woman’s casual rebuttal of a sexual advance, her dress-up montage (“it’s itchy”, “I can’t fight in this”, “it’s choking me”) are also feminist acts. Wonder Woman is a bit like a BuzzFeed list: 23 Stupid Sexist Tropes in Cinema and How to Rectify Them. I mean that as a compliment.

Continue reading at:  https://www.theguardian.com/lifeandstyle/2017/jun/05/why-wonder-woman-is-a-masterpiece-of-subversive-feminism

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Why the Middle East’s Christians Are Under Attack

From The New York Times:  https://www.nytimes.com/2017/05/26/opinion/why-the-middle-easts-christians-are-under-attack.html

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Rev. Troy Perry on pain and joy of resistance and Pride

From The Los Angeles Blade:  http://www.losangelesblade.com/2017/06/03/rev-troy-perry-pain-joy-resistance-pride/


June 3, 2017

Rev. Troy Perry was anxious. What if LAPD Police Chief Ed Davis was right and a mob of hardhats was waiting to descend on parade-goers just as they turned the corner from McCadden Place onto Hollywood Boulevard? Experience told him police would not protect the gays and may even arrest them for malicious interference with the downward-progress of a hardhat’s valuable baseball bat.

That’s just the way it was in Los Angeles on June 28, 1970. But unlike New York, which was commemorating the one-year anniversary of the Stonewall Riots and the new movement for gay liberation with a protest march, Perry and his Christopher Street West co-founders Morris Kight and Rev. Bob Humphries, decided to throw a celebratory parade. There should be joy in liberation, relief from the constant fuel of rage.

But it hadn’t been easy. Perry had appeared before the Los Angeles Police Commission to secure a parade permit and Davis, who publically called gays “faeries,” told him: “As far as I’m concerned, granting a permit to a group of homosexuals to parade down Hollywood Boulevard would be the same as giving a permit to a group of thieves and robbers.”

The Police Commission granted the permit—if CSW paid a $1.5 million bond. American Civil Liberties Union attorney Herbert E. Selwyn stepped up, forcing the commission to drop the excessive fee. Selwyn also won a court order to have the $1,500 police protection fee dropped, with the California Superior Court judge declaring that homosexuals were citizens, too.

At 6 p.m. on Saturday, June 28, 1970, an estimated 1,165 people showed up on McCadden Place, ready to come out and party down Hollywood Boulevard. One Gay Liberation Front float featured a gay man “nailed” to a black and white cross with a sign reading: “In Memory of Those Killed by the Pigs.” Street performers dressed as fairies with wings pretended they were being chased by police brandishing nightsticks.

The political theater masked the deep anxiety and courage it took to participate in the parade; for some, it was also brave just to stand on the curb and applaud. No one knew if violence would erupt—whether from hardhats or the police or an ordinary citizen outraged at homosexuals proudly on parade.

Anti-gay violence had already seared Troy Perry’s soul. On Oct. 28, 1968, the Tallahassee, Fla., native started his own church with 12 gay worshippers in his Huntington Park living room. It was an act of spiritual resistance against the Pentecostal church that defrocked him because of his homosexuality, a pain deepened by the end of a romance. Then, an epiphany: Rev. Troy Perry attempted suicide but was shaken out of his dark stupor by an unidentified black woman who stood in his hospital room and said, “Some of us care about you.” She threw the switch that reconnected him to God. He came to realize that a ministry awaited him.

In 1969, with signs declaring “we’re not afraid anymore,” Perry led a nighttime march down Hollywood Boulevard calling for the end to sodomy laws and a small picket protesting anti-gay job discrimination, where he met Mattachine Society founder Harry Hay and his lover John Burnside and had no idea who they were. In January 1970, he sat in at the counter of Barney’s Beanery in West Hollywood, demanding that the owner take down his “Fagots Stay Out” sign above the bar. He also led hundreds of marchers demanding police reform.

On March 9, 1970, Perry led 120 marchers to rally behind the pre-bathhouse Dover Hotel in downtown LA to commemorate the one-year anniversary of Howard Efland, who had been beaten to death by two LAPD officers. He attended the inquest and heard the police explain that one of the officers had “fallen” on Efland, rupturing his spleen and that the broken bones and cuts were a result of him having fallen out of the police car, not being dragged feet first down three flights of stairs after having been beaten up and then kicked. “There were two eyewitnesses,” Perry says. “The City Attorney asked the first one, a drag queen wearing female clothes, ‘are you a homosexual?’ She answered, ‘Yes,” and the eyes of the jurors closed. They didn’t want to hear any more.”

Continue reading at:  http://www.losangelesblade.com/2017/06/03/rev-troy-perry-pain-joy-resistance-pride/

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Friday Night Fun and Culture: Rhiannon Giddens

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16 years ago today, a Hamas suicide bomber exploded outside the Dolphinarium night club in Tel Aviv. 21 innocent lives were lost – many young teenage girls.

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Has Michael Flynn Already Flipped on Trump? | The Resistance with Keith Olbermann

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