The real secret to making it as a writer: Be fabulously wealthy before you even start

From Salon:

The sad fact of literary life is that it overwhelmingly rewards people with privilege. So much for diversity!

Sunday, Mar 30, 2014

In a recent Salon article, Noah Berlatsky argued that to be a successful writer, while one might need “work ethic, knowledge, skill, perseverance… none of them is as important as the one, single most important thing. Which would be luck.”

Berlatsky’s piece suffers from what Daniel Dennett calls deepities: “A proposition that seems both important and true — and profound — but that achieves this effect by being ambiguous.” That is, if we take Berlatsky’s assertion as he intended it, hyperbolically, it is banal: We all know that luck affects us in all parts of our life. And if we take it at face value, it is manifestly false. Does Berlatsky really believe that luck is more important than work ethic, knowledge, skill and perseverance?

That’s a hard case to make, although it does correctly note that those latter qualities alone (work ethic, etc.), while to varying degrees necessary for success, are too often insufficient. So Berlatsky wasn’t wrong there, he just picked the wrong culprit. The real problem in writing isn’t luck, it’s money.

Reading, writing and thinking are all tasks that are nearly impossible to cultivate while performing manual labor. As Plato first noted, when discussing education, “sleep and exercise are unpropitious to learning,” and therefore students should avoid intense exercise as they pursue educational endeavors. Writing is what Veblen would call “conspicuous consumption,” a task primarily done by a “leisure class” uninhibited by manual labor.

As Oscar Wilde wrote, “under existing conditions, a few men who have had private means of their own, such as Byron, Shelley, Browning, Victor Hugo, Baudelaire, and others, have been able to realise their personality more or less completely. Not one of these men ever did a single day’s work for hire. They were relieved from poverty.” Because Byron and Baudelaire were free from the need to perform physical labor, they could invest their time in culture. In contrast, the poor, “having no private property of their own, and being always on the brink of sheer starvation, are compelled to do the work of beasts of burden, to do work that is quite uncongenial to them, and to which they are forced by the peremptory, unreasonable, degrading Tyranny of want. These are the poor, and amongst them there is no grace of manner, or charm of speech, or civilisation, or culture, or refinement in pleasures, or joy of life.” The luxury of comfort is still denied the poor and working class and it’s difficult to read Shakespeare after hours of drudgery. Far easier to drink a beer and watch the game. In his book, “Masscult and Midcult,” Dwight MacDonald notes that “the great cultures of the past have been elite affairs.”

In a recent interview with Longform magazine, New Yorker staff writer Evan Ratliff said, “I don’t think it’s feasible to work a full-time job and be able to do this type of reporting … it really requires dedicated time.” And time, as we all know, is money. Success at writing means taking unpaid internships, low-paid fellowships or writing almost for free for years.

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